Antonio Roberts


Antonio Roberts is a New Media artist and Curator based in Birmingham, UK. His artwork uses glitch art, hacking and technol-driven processes focuses on the errors and glitches generated by digital technology. An underlying theme of his work is open source software, free culture and collaborative practices.

As a performer and visual artist his work has been featured at galleries and festivals including in Arles, France (2012), Glitch Moment/ums at Furtherfield Gallery, London (2013), Loud Tate: Code at Tate Britain (2014), glitChicago at the Ukrainian Institute of Modern Art in Chicago, US (2014), Permission Taken at Birmingham Open Media and University of Birmingham (2015-2016), and Common Property at Jerwood Visual Arts, London (2016).

As a curator he has delivered exhibitions and projects including GLI.TC/H Birmingham (2011), the Birmingham editions of Bring Your Own Beamer (2012, 2013), µChip 3 (2015), and Stealth (2015), all in association with Vivid Projects.

He is an Associate Curator at Vivid Projects and Lecturer at University of Westminster.



Artists and Copyright – everything is a remix – a-n
What Rights Copyright – Furtherfield
Logos and Protest – Elephant Magazine


Stealth: the blur of privacy, the illusion of control – Imperica
In conversation with… Antonio Roberts and Sam Wray – Imperica
Interview with Antonio Roberts by Laura Davidson – Saturation Point
A Few Of My Favourite GIFs – Canvas by Grolsch
Digitalismo & Digitalistas – Neo2


Twitchy Glitch GIFs Look Like Digi-Devastated Worlds – The Creators Project
Interview with Antonio Roberts / Hellocatfood – Neonvice
Bending the Ghost in the Machine – Tribe Magazine


Celebrating Imperfection – Imperica
GLI.TC/H BIRM – Redbrick

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